ACTUAL SIZE

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Adonias Imploring the Grace of Solomon or Jeroboam Kneeling before Rehoboam

Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Amico Aspertini (attributed to; formerly after Raphael), c. 1770/1795

Adonias Imploring the Grace of Solomon or Jeroboam Kneeling before Rehoboam by Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Amico Aspertini (attributed to; formerly after Raphael)
Adonias Imploring the Grace of Solomon or Jeroboam Kneeling before Rehoboam by Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Amico Aspertini (attributed to; formerly after Raphael), 31 cm × 19 cm
1.70 m
Both at true scale.

31 cm × 19 cm

About the size of a sheet of A4. You would need 6 of them to reach a person's height.

Against things you know the size of

This work 19 cm Phone 15 cm A4 sheet 30 cm Person 1.7 m Doorway 2.03 m
Height
19 cm
Width
31 cm
Medium
etching and aquatint printed in brown on laid paper
Kind
Print
Where the measurement comes from
Measured by the museum. The dimension is the one recorded by the institution that holds the work.
Credit
Gift of James A. Bergquist in honor of Jamie Gabbarelli

Ask this work

Five questions, answered from its own record. What is AGAI?

How big is it?
31 cm × 19 cm. About the size of a sheet of A4. Measured by the museum.
When was it made, and when is it everyone’s?
Made c. 1770/1795. It is in the public domain, and National Gallery of Art publishes it for open use.
Whose is it?
Everyone’s to see. It is held by National Gallery of Art: Gift of James A. Bergquist in honor of Jamie Gabbarelli.
How was it made?
Etching and aquatint printed in brown on laid paper.
Who speaks for it?
Its record at National Gallery of Art. Measured by the museum. This gallery adds nothing it cannot cite.

This work is in the reference only. The gallery hangs a selection of the collection at real size.

Walk the gallery Record at National Gallery of Art

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One email. The smallest thing in the collection, the largest, and two that hang well together.

Hangs well beside

Scored on colour, shape, era and scale, the same way the gallery hangs them.